No. 46 (2024)

No. 46 (2024):

Full Issue

PART I. PROFESSOR KRZYSZTOF HEJWOWSKI (1952-2019): IN MEMORIAM

“Hejwo”: Professor Krzysztof Hejwowski as a Translation Theorist and Practitioner

Krzysztof Puławski

6 - 12

opublikowany: 2024-12-21

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Krzysztof Hejwowski: An Academic Biography

Weronika Sztorc

13 - 24

opublikowany: 2024-12-21

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Nothing Sacred? Not Quite: Krzysztof Hejwowski as a Critic and Self-critic

Ewa Kujawska-Lis

25 - 40

opublikowany: 2024-12-21

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Retranslations of Aldous Huxley’s Brave New World in Poland

Agnieszka Adamowicz-Pośpiech

41 - 59

opublikowany: 2024-12-21

pdf

VARIA

Adaption as Self-Representation: The Anthology of Influences in Eavan Boland’s The War Horse, Collected Poems and New Collected Poems

Jeremy Pomeroy

61 - 72

opublikowany: 2024-12-21

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“[T]hese are my slave songs”: The Poetics of Transgression and Exorcising the Demon of Racism in Wanda Coleman’s Jazz Sonnets

Jerzy Kamionowski

73 - 91

opublikowany: 2024-12-21

pdf

“What Kind of an Ending is That?” Adapting Shakespeare for a Young Audience: The Case of Gnomeo and Juliet (2011)

Elżbieta Rokosz

92 - 101

opublikowany: 2024-12-21

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