The Glass Room: Housing space, time and history
Tereza Topolovská
Charles University, Prague, Czech RepublicTereza Topolovská is a lecturer at the Department of English Language and Literature, Faculty of Education, Charles University. Her research focuses on the study of spatial poetics of contemporary British literature. Her other academic interests include the study of phenomenology of perception, especially in the connection with the depiction of architecture in literature. She has participated in international conferences and published articles on Simon Mawer, E.M. Forster, Iris Murdoch, and J.G. Ballard in academic journals and essay collections abroad and in the Czech Republic. She is the author of the monograph The Country House Revisited: Variations on a Theme from Forster to Hollinghurst (2017).
https://orcid.org/0000-0003-2917-3135
Abstract
Tereza Topolovská is a lecturer at the Department of English Language and Literature, Faculty of Education, Charles University. Her research focuses on the study of spatial poetics of contemporary British literature. Her other academic interests include the study of phenomenology of perception, especially in the connection with the depiction of architecture in literature. She has participated in international conferences and published articles on Simon Mawer, E.M. Forster, Iris Murdoch, and J.G. Ballard in academic journals and essay collections abroad and in the Czech Republic. She is the author of the monograph The Country House Revisited: Variations on a Theme from Forster to Hollinghurst (2017).
Schlagworte:
The Glass Room, Simon Mawer, architecture in literature, Modernist architecture in literature, historical fiction, neo-historical fictionLiteraturhinweise
Ainley, R. 2020. Looking back again and forward; Re: review and reconstruction in writing and architecture. Architecture and Culture 8(1): 19-28.
Anténe, P. 2015. Campus Novel Variations: A Comparative Study of an Anglo-American Genre. Olomouc: Palacký University Olomouc.
Bachelard, G. 1994. The Poetics of Space. Trans. M. Jolas. Boston: Beacon Press.
Bentley, N. 2018. Contemporary British Fiction. London: Palgrave.
Benton, T. 2007. Building utopia. In: Ch.Wilk, (ed.), Modernism. Designing a New World, 148-223. London: V&A Publishing.
Cooke, R. 2012. The Girl Who Fell from the Sky by Simon Mawer – review. The Guardian 4 May. https://www.theguardian.com/books/2012/may/04/simon-mawer-girl-fell-sky-review (accessed 6 March 2020).
Cresswell, T. 2015. Place: An Introduction. Somerset: Wiley.
Crown, S. 2009. A life in books – Simon Mawer. The Guardian 3 October 2009. www.theguardian.com/culture/2009/oct/03/simon-mawer-life-in-books (accessed 1 November 2021).
Černá, I. & Černoušková, D. 2011. Tugendhat – Ludwig Mies van der Rohe’s Commision in Brno. Brno: Brno City Museum.
Davies, C. 2018. A New History of Modern Architecture. London: Laurence King Publishing.
De Groot, J. 2010. The Historical Novel. The New Critical Idiom. Abingdon: Routledge.
De Groot, J. 2016. Remaking History. The Past in Contemporary Historical Fiction. Abingdon: Routledge.
Flood, A. 2016. Simon Mawer’s Tightrope wins Walter Scott Prize for Historical Fiction. The Guardian 20 June 2016. https://www.theguardian.com/books/2016/jun/20/simon-mawers-tightrope-wins-walter-scott-prize-for-historical-fiction (accessed 23 October 2018).
“The Glass Room – the play.” Simon Mawer’s website. http://www.simonmawer.com/The_Glass_Play.htm (accessed 30 December 2021).
Hammer-Tugendhat, D. 2012. Das Haus Tugendhat und Seine Bewohner [The Tugendhat House and its inhabitants]. Prager Gäsprache organized by Das Österreichische Kulturforum Prag, Prague.
Heidegger, M. 2001. Poetry, Language, Thought. New York: Perennial Classics.
Higgins, B. 2009. Czech history through a glass darkly. Radio Prague. Czech Books, 22 Nov. 2009. www.radio.cz/en/section/books/czech-history-through-a-glass-darkly (accessed 14 March 2021).
Le Corbusier. 1976. Towards a New Architecture. London: The Architectural Press.
Lodge, G. 2021. ‘The Affair’ review: architecture is the star of a muddled Europudding melodrama. The Variety 5 March 2021. https://variety.com/2021/film/reviews/the-affair-review-1234922610/ (accessed 30 November 2021).
Loos, A. 1997. Ornament and Crime. Riverside, CA: Ariadne Press.
Mawer, S. 1997. Mendel’s Dwarf. London: Transworld.
Mawer, S. 2006. Gregor Mendel. Planting the Seeds of Genetics. New York: Abrahams in association with The Field Museum, Chicago.
Mawer, S. 2006. Swimming to Ithaca. London: Abacus.
Mawer, S. 2009. The Glass Room. London: Little, Brown.
Mawer, S. 2010. Theo van Doesburg: Forgotten artist of the avant garde. The Guardian 23 January. www.theguardian.com/artanddesign/2010/jan/23/theo-van-doesburg-avant-garde-tate (accessed 1 December 2010).
Mawer, S. 2018. Prague Spring. London: Little, Brown.
Miller, L. 2009. The Booker Prize’s historical novels aren’t living in the past. The Times 3 October 2009. https://www.thetimes.co.uk/article/the-booker-prizes-historical-novels-arent-living-in-the-past-s6njdl2ttp0 (accessed 14 November 2021).
Pengelly, M. 2015. ‘Women are more interesting than men’: Simon Mawer on Tightrope. The Guardian 1 November. https://www.theguardian.com/books/2015/nov/01/simon-mawer-tightrope-trapeze-marian-sutro (accessed 6 March 2020).
Rawsthorn, A. 2012. Reopening a Mies modernist landmark. The New York Times 24 February 2012. https://www.nytimes.com/2012/02/27/arts/27iht-design27.html.
Robertson, N. 2015. The glass house building as an embodiment of the changing fate of Jews in Budapest from 1848 to the present. In: N.E. Rupprecht & W. Koenig (eds.), Global Perspectives on the Holocaust: History, Identity, Legacy, 93-115. Newcastle upon Tyne: Cambridge Scholars Publishing.
Rousselot, E. 2014. Exoticizing the Past in Contemporary Neo-Historical Fiction. Basingstoke, Hampshire: Palgrave Macmillan.
Saggini, F. & Soccio, A.E. (eds.). 2012. The House of Fiction as the House of Life: Representations of the House from Richardson to Woolf. Newcastle upon Tyne: Cambridge Scholars Publishing.
Sečkař, M. 2010. Letting in the light. An interview with Simon Mawer. Eurozine 2 November 2010. https://www.eurozine.com/letting-in-the-light/ (accessed 21 November 2021).
The Jewish Film Festival website. 2019. https://jewishfilmfestivals.org/films/2019/the-glass-room (accessed 21 November 2021).
Topolovská, T. 2013. On the analogy between the language of architecture and language of literary work: the role of conception of architecture in generating the poetics of The Glass Room. In: M. Hirschová (ed.), Filologické studie, 15-31. Prague: Karolinum.
Topolovská, T. 2013. The Glass Room: Architecture as a poetic emotion. Prague Journal of English Studies 2: 65-79.
Topolovská, T. 2017. The Country House Revisited: Variations on a Theme from Forster to Hollinghurst. Praha: Karolinum Press.
Topolovská, T. 2019. Dům coby zdroj identity a historické paměti v současné britské literatuře. [House as a source of identity and historical memory in contemporary British literature]. In: P. Chalupský (ed.), Filologické studie, 161-178. Prague: Karolinum.
Topolovská, T. 2021. Through the looking glass: space and place in Simon Mawer’s The Girl Who Fell from the Sky. In: Š. Bubíková & O. Roebuck (eds.), Places and Spaces of Crime in Popular Imagination, 47-63. Kraków: Jagiellonian University Press.
Tuan, Y. 2018. Space and Place. The Perspective of Experience. Minneapolis: University of Minnesota Press.
Vidler, A. 2001. Warped Space. Art, Architecture, and Anxiety in Modern Culture. Cambridge, MA/London: The MIT Press.
Zimmerman, C. 2009. Mies van der Rohe. The Structure of Space. Köln: Taschen.
Charles University, Prague, Czech Republic
Tereza Topolovská is a lecturer at the Department of English Language and Literature, Faculty of Education, Charles University. Her research focuses on the study of spatial poetics of contemporary British literature. Her other academic interests include the study of phenomenology of perception, especially in the connection with the depiction of architecture in literature. She has participated in international conferences and published articles on Simon Mawer, E.M. Forster, Iris Murdoch, and J.G. Ballard in academic journals and essay collections abroad and in the Czech Republic. She is the author of the monograph The Country House Revisited: Variations on a Theme from Forster to Hollinghurst (2017).
https://orcid.org/0000-0003-2917-3135
