Ewolucja obrazu Rosji-domu w Czerwonym Kole Aleksandra Sołżenicyna

Monika Sidor

Katolicki Uniwersytet Lubelski Jana Pawła II, Wydział Nauk Humanistycznych, Katedra Literatury Rosyjskiej, Ukraińskiej i Białoruskiej

The paper depicts a topos of Russia-home in Alexander Solzhenitsyn’s novel cycle the ‘Red Wheel’. The author defines metaphoric pictures named as a home, an empty house, a house without an owner. The metaphors allows to indicate additional motifs connected with titular topos: a good host, a woman as a wife and mother and a fake host. The analyses show that Solzhenitsyn’s metaphors of Russia-home reflect writer’s conception of the revolutionary process in the history of Russia and his thoughts about citizen responsibility and patriotism.

https://orcid.org/0000-0002-8290-8682

Abstrakt

The paper depicts a topos of Russia-home in Alexander Solzhenitsyn’s novel cycle the ‘Red Wheel’. The author defines metaphoric pictures named as a home, an empty house, a house without an owner. The metaphors allows to indicate additional motifs connected with titular topos: a good host, a woman as a wife and mother and a fake host. The analyses show that Solzhenitsyn’s metaphors of Russia-home reflect writer’s conception of the revolutionary process in the history of Russia and his thoughts about citizen responsibility and patriotism.

Słowa kluczowe:

symbol, ojczyzna, Rosja, rewolucja