“Sexual Niggerhood for Everyone”: Black Intruder in the Space of White Discourse in American Mainstream Novel of the 1960s and 1970s

Jerzy Kamionowski

Wydział Filologiczny, Uniwersytet w Białymstoku


Abstract

The article describes the intrusion of the previously “invisible” black Stranger into the “white” discursive space. It further shows how this phenomenon was represented in the mainstream American novel of the 1960s and 1970s. The author analyses three works: Mr. Sammler’s Planet by S. Bellow, The Tenants by B. Malamud, and Rabbit, Redux by J. Updike. Here, the black intrusion into the “white language” is observed in threes spheres: symbolic, aesthetic, and ideological. This contamination of white discourse causes fear and rejection, but, at the same time, it brings fascination with Afro-American – a dangerous Stranger. Eventually, the novels confirm the reflection by Toni Morrison: since American literature is unmistakably a product of the dominant culture of whites, it therefore, becomes invariably connected with Afro-American presence in the United States.

Keywords:

American novel, Afro-Americans, white discourse, stranger, Samuel Bellow, Bernard Malamud, John Updike


Published
2015-06-30



Jerzy Kamionowski 
Wydział Filologiczny, Uniwersytet w Białymstoku



License

Articles published on the platform of Białostockie Studia Literaturoznawcze are available  under the license CC-BY-SA 4.0 (CC Attribution-ShareAlike 4.0).

All interested parties have access to the published articles under the following conditions:

1.They must acknowledge authorship, which means crediting the author, title, source, together with the disseminated work (including the hyperlinks to the original work and doi) as well as the same license under the same conditions.

2. Derivative works can be distributed only under the same license as the original work.

The University of Białystok retains the right to the entire journal (layout, graphic design, title, cover design, logo, etc.).

The author retains the property right but confers on the University of Białystok the right to use the work.