From Reminiscence to Antecedence – Kostomarov, Reymont and Orwell: A Reconnaissance
Abstract
Bunt [Revolt] (1924) by Władysław Stanisław Reymont and Animal Farm (1946) by George Orwell display many parallels, probably stemming from the common provenance of the two works, which can be traced to the work Skotskoy bunt [Skotskoj rebellion] (1879) by the Ukrainian writer Nikolai Kostomarov. The works deploy allegory in the construction of dystopian worlds inhabited by animals that rebel against humans. They share a number of motifs, characters and plot patterns, including, most importantly, the desire to overthrow man’s hegemony, which turns against the anthropomorphized heroes. The texts also differ significantly in the circumstances of their creation, the source of imaginative transfer, the symbolism and, finally, the purpose of the animal revolution. The article aims to trace the antecedence and mutual intersection of the works in question.
Keywords:
revolution, rebellion, communism, anthropomorphization, animals, EastReferences
Barnett Anthony (1967), Gatunek homo sapiens: biologia człowieka, przeł. S. Liszewska, Warszawa: Wydawnictwo Naukowe PWN.
Bradford Richard (2022), Orwell. Człowiek naszych czasów, przeł. A. Żak, Warszawa: Znak Koncept.
Dobrowolska Danuta (2001), O literaturze XX wieku. Szkice i recenzje, Kielce: Szumacher.
Kochanowski Marek (2016), Dialektyka fantastyki i religii. O „Buncie” Władysława Stanisława Reymonta, w: M. Kochanowski, Modernizm mniej znany. Studia i szkice o literaturze, Białystok: Prymat, s. 33–49.
Kopaliński Władysław (2012), hasło: Owca, w: W. Kopaliński, Słownik symboli, Warszawa: Oficyna Wydawnicza Rytm, s. 291–294.
Kostomarov Nikołaj (1917), Skotskoj bunt, „Niwa”, tom 48, nr 34–37, s. 546–553.
Mokry Włodzimierz (1996), Literatura i myśl filozoficzno-religijna ukraińskiego romantyzmu: Szewczenko, Kostamarov, Szaszkiewicz, Kraków: Wydawnictwo Uniwersytetu Jagiellońskiego.
Nycz Ryszard (1974), Dwa pejzaże Reymonta, „Pamiętnik Literacki”, z. 3, s. 65–81.
Orwell George (2021), Wolność prasy, w: G. Orwell, Folwark zwierzęcy, przeł. B. Zborski, Warszawa: Muza.
Orwell George (2021), Folwark zwierzęcy. Opowiastka, przeł. S. Żuchowski, Warszawa: W.A.B.
Polakowska Anna (1978), hasło: Reymont Władysław Stanisław, w: Bibliografia literatury polskiej „Nowy Korbut”, t. 15, red. Z. Szweykowski, J. Maciejewski, Warszawa: Państwowy Instytut Wydawniczy, s. 370–417.
Reed John (2015), Revisionist History, „Harper’s Magazine”, no. 12, https://harpers.org/2015/12/revisionist-history/.
Reymont Władysław Stanisław (1924), Bunt, Warszawa: Gebethner i Wolff.
Smoljanskaja Aleksandra (2017), Nieantropomorficzny obraz społeczeństwa w literaturze: „Homonimia testu”, Petersburg: Petersburski Uniwersytet Państwowy.
Żuchowski Szymon (2021), Od tłumacza, w: G. Orwell, Folwark zwierzęcy. Opowiastka, przeł. S. Żuchowski, Warszawa: W.A.B.
License
This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
Articles published on the platform of Białostockie Studia Literaturoznawcze are available under the license CC-BY-SA 4.0 (CC Attribution-ShareAlike 4.0).
All interested parties have access to the published articles under the following conditions:
1.They must acknowledge authorship, which means crediting the author, title, source, together with the disseminated work (including the hyperlinks to the original work and doi) as well as the same license under the same conditions.
2. Derivative works can be distributed only under the same license as the original work.
The University of Białystok retains the right to the entire journal (layout, graphic design, title, cover design, logo, etc.).
The author retains the property right but confers on the University of Białystok the right to use the work.