No. 21 (2022)

Sibyl Watched from the Cabin: “Mapping Europe” by Miron Białoszewski as an Eschatological “Detour”

Mariusz Jochemczyk

7 - 19

opublikowany: 2022-12-31

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Lovers in the Closet: The Practices of Covering, Uncovering and Recovering the History of Obory in Miron Białoszewski’s Works

Martyna Miernecka

21 - 47

opublikowany: 2022-12-31

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Some Remarks on Space in „Empuzjon” by Olga Tokarczuk

Roman Bobryk

49 - 57

opublikowany: 2022-12-31

PDF (Język Polski)

Between a Cabinet of Curiosities, a Library and a museum: Cases of Encyclopedism in Gustave Flaubert’s “Bouvard and Pécuchet”

Łukasz Wróbel

59 - 78

opublikowany: 2022-12-31

PDF (Język Polski)

Openness of Closed Spaces in Józef Czapski’s Paintings

Małgorzata Krakowiak

79 - 94

opublikowany: 2022-12-31

PDF (Język Polski)

The Space of the Frame/outside the Frame: On Photographic Shots in "Ida" and "Zimna wojna" by Paweł Pawlikowski

Barbara Kita

95 - 116

opublikowany: 2022-12-31

PDF (Język Polski)

Confined in an Infinite Abyss: Outer Space (and Its Poetics) in Werner Herzog’s Documentaries

Magdalena Kempna-Pieniążek

117 - 133

opublikowany: 2022-12-31

PDF (Język Polski)

Pasolini Exercises: Pier Paolo Pasolini on a Journey through Italy ("La lunga strada di sabbia")

Giulia Kamińska Di Giannantonio

135 - 153

opublikowany: 2022-12-31

PDF (Język Polski)

The Intertextual Dimension of Balladry in Paweł Wójcik’s Songs

Marcin Janiszkiewicz

155 - 174

opublikowany: 2022-12-31

PDF (Język Polski)

“Collecting Crumbs of Reality”: Sylwia Chutnik’s Story about the Everyday Life of Varsovians in the mid-1950s

Elżbieta Sidoruk

175 - 189

opublikowany: 2022-12-31

PDF (Język Polski)

Janusz Krasiński’s Portrait of George Sand in "Kochankowie z klasztoru Valdemosa" in Contrast with Jarosław Iwaszkiewicz’s "Lato w Nohant"?

Katarzyna Nadana-Sokołowska

185 - 206

opublikowany: 2022-12-31

PDF (Język Polski)

Between a Woman, Andreid and God: Villiers de l’Isle-Adam’s “Tomorrow’s Eve”

Krzysztof Andrulonis

207 - 229

opublikowany: 2022-12-31

PDF (Język Polski)

Revenge, Schubert and bees: Glosa to Zygmunt Krasiński's "Irydion"

Wojciech Mazurek

231 - 243

opublikowany: 2022-12-31

PDF (Język Polski)

Semiotic Reflections on Reversed Geopoetics

Jacek Kaczmarek, Armina Kapusta

245 - 264

opublikowany: 2022-12-31

PDF (Język Polski)

Anne Frank House in Amsterdam: Confined Space as an Experiencescape

Aleksandra Korpysz-Wiśnieska

265 - 280

opublikowany: 2022-12-31

PDF (Język Polski)

No. 21 (2022):

Studies and Essays

Sibyl Watched from the Cabin: “Mapping Europe” by Miron Białoszewski as an Eschatological “Detour”

Lovers in the Closet: The Practices of Covering, Uncovering and Recovering the History of Obory in Miron Białoszewski’s Works

Some Remarks on Space in „Empuzjon” by Olga Tokarczuk

Between a Cabinet of Curiosities, a Library and a museum: Cases of Encyclopedism in Gustave Flaubert’s “Bouvard and Pécuchet”

Openness of Closed Spaces in Józef Czapski’s Paintings

The Space of the Frame/outside the Frame: On Photographic Shots in "Ida" and "Zimna wojna" by Paweł Pawlikowski

Confined in an Infinite Abyss: Outer Space (and Its Poetics) in Werner Herzog’s Documentaries

Pasolini Exercises: Pier Paolo Pasolini on a Journey through Italy ("La lunga strada di sabbia")

Issues in Poetics

The Intertextual Dimension of Balladry in Paweł Wójcik’s Songs

Readings and Discussions

“Collecting Crumbs of Reality”: Sylwia Chutnik’s Story about the Everyday Life of Varsovians in the mid-1950s

Interpretations

Janusz Krasiński’s Portrait of George Sand in "Kochankowie z klasztoru Valdemosa" in Contrast with Jarosław Iwaszkiewicz’s "Lato w Nohant"?

Between a Woman, Andreid and God: Villiers de l’Isle-Adam’s “Tomorrow’s Eve”

Revenge, Schubert and bees: Glosa to Zygmunt Krasiński's "Irydion"

Borderlands

Semiotic Reflections on Reversed Geopoetics

Anne Frank House in Amsterdam: Confined Space as an Experiencescape

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